"If you are interested in publishing, you’ll need to develop a thick skin because you’ll get rejected. Then, when you are published, no matter how many good reviews you get, you’ll get some stinkers, even some scorchers. People won’t always get you. Or they’ll get you wrong. Or they’ll get you right and praise you to the skies to boot, but if you’re a real writer, you’ll be too neurotic to take that in; you’ll be feeling for the pea in the mattress. And of course, all this business about developing a thick skin is just useless prattle: you don’t have a thick skin because you’re so sensitive, so you’ll have to suffer. But this is a good excuse for a martini with another suffering writer." 
                                                                                         -Elizabeth Berg


It’s Good Prose Month, over at Biographile.  High-res

"If you are interested in publishing, you’ll need to develop a thick skin because you’ll get rejected. Then, when you are published, no matter how many good reviews you get, you’ll get some stinkers, even some scorchers. People won’t always get you. Or they’ll get you wrong. Or they’ll get you right and praise you to the skies to boot, but if you’re a real writer, you’ll be too neurotic to take that in; you’ll be feeling for the pea in the mattress. And of course, all this business about developing a thick skin is just useless prattle: you don’t have a thick skin because you’re so sensitive, so you’ll have to suffer. But this is a good excuse for a martini with another suffering writer."

                                                                                         -Elizabeth Berg

It’s Good Prose Month, over at Biographile. 

Notes

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